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Making this study of an ancient mosaic was an impressive experience, commensurate with the similar gestures made two thousand years ago by the author of the original mosaic. I redrew each square for each piece of glass.
You can see from the faint facial and body features that the mosaic was designed to be viewed from a distance. At a distance of two meters, you can see the power of the athlete's body, projected by the muscles of his arms and those of his shiny, swollen chest. Pay close attention to the andamento, which follows the natural lines of the body, muscles and bones, imparting a dynamic that brings the painting to life. The athlete is not smiling, but rather looking solemn. The winner's laurel has been placed on his head. He exudes youth and insolence.
This work is a detail from a Roman mosaic showing the athlete from head to toe, representing a pugilist.
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